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Bushido 
"Bushido" means "Way of the Warrior." It was at
the heart of the beliefs and conduct of the Samurai. The philosophy
of Bushido is "freedom from fear." It meant that the Samurai transcended
his fear of death. That gave him the peace and power to serve his
master faithfully and loyally and die well if necessary. "Duty" is
a primary philosophy of the Samurai.
Brief History of the Samurai
The Samurai rose out of the
continuing battles for land among three main clans: the Minamoto,
the Fujiwara and the Taira. The Samurai eventually became a class
unto themselves between the 9th and 12th centuries A.D. They were
called by two names: Samurai (knights-retainers) and Bushi (warriors).
Some of them were related to the ruling class. Others were hired
men. They gave complete loyalty to their Daimyo (feudal landowners)
and received land and position in return. Each Daimyo used his
Samurai to protect his land and to expand his power and rights
to more land.
The Samurai became expert in fighting from horseback
and on the ground. They practiced armed and un-armed combat.
The early Samurai emphasized fighting with the bow and arrow.
They used swords for close-in fighting and beheading their
enemies. Battles with the Mongols in the late 13th century
led to a change in the Samurai's fighting style. They began
to use their sword more and also made more use of spears and
naginata. The Samurai slowly changed from fighting on horseback
to fighting on foot. The Samurai wore two swords (daisho).
One was long; the other short. The long sword (daito - katana)
was more than 24 inches. The short sword (shoto - wakizashi)
was between 12 and 24 inches. The Samurai often gave names
to their swords and believed it was the "soul" of their warriorship. The oldest swords were straight
and had their early design in Korea and China. The Samurai's desire
for tougher, sharper swords for battle gave rise to the curved
blade we still have today. The sword had its beginning as iron
combined with carbon. The swordsmith used fire, water, anvil and
hammer to shape the world's best swords. After forging the blade,
the sword polisher did his work to prepare the blade for the "furniture" that
surrounded it. Next, the sword tester took the new blade
and cut through the bodies of corpses or condemned criminals.
They started by cutting through the small bones of the body
and moved up to the large bones. Test results were often
recorded on the nakago (the metal piece attaching the sword
blade to the handle).
Samurai
Clothing
As
may be expected, the basic clothing item in a samurai's 'everyday'
wardrobe was the kimono, which for men normally consisted of
an outer and inner layer. Heavier kimonos were worn in the winter,
while lighter examples (those made of finer silk, for instance)
were worn in the summer. In fact, there was a ceremonial day
where winter kimonos were exchanged for their summer counterparts,
traditionally on the 1st day of the Fourth Month (by
our reckoning, in the first week of May). A samurai's kimono
would normally be made of silk, a material considered superior
to cotton and hemp not only for its feel and appearance but for
it's relative coolness in the hot Japanese summer. Exceptionally
bright colors and outlandish patterns were typically avoided
or sneered upon as a show of immodesty or conceit.
Beneath the kimono, a loincloth
(fundoshi) was worn, of which there were two varieties.
One was essentially a wrap that, for lack of a better description,
resembled a diaper (familiar to anyone who has witnessed or seen
footage of some of modern Japan's more esoteric festivals); the
other type (more often worn under armor) was a long piece of
material worn down the front of the body. A loop slung around
the neck fastened the top of the loincloth while the other end
was pulled up around the other side of the abdomen and tied around
the front of the lower waist with cords. On hot Japanese summer
days, underwear was optional. Samurai had the option of wearing
socks, called tabi,
which included a space to separate the big toe from the other toes
(to facilitate the wearing of sandals). Tabi worn in an everyday
capacity were normally white and were tailored to the season.
Footwear generally consisted
of sandals (waraji) and wooden clogs (geta). Sandals were
made from various sorts of material, including straw, hemp, and
cotton thread. Clogs were generally associated with the lower
classes (geisha, for instance, and kabuki actors are often depicted
wearing geta) though samurai wore them from time to time. The
Tale of the Heike, for instance, mentions that the powerful Taira
Kiyomori wore clogs, though it was considered sufficiently unusual
to find its way into puns composed by his rivals. Bearskin boots
were at one time popular, especially with armor, but by the 16th Century
had come to be considered archaic.
For rainy days, samurai, like
everyone else, wore raincoats made out of straw (kappa)
and availed themselves of folding umbrellas (which looked rather
like Victorian era parasols, complete with decoration).
Between
the 12th and 17th Century, the hitatare style
of dress was popular. Unlike the common kimono, hitatare was
a two-piece costume, though comparably flowing and ample (Yoroi
hitatarewas a snugger version for use under armor). This
costume, for a possible frame of reference, is what most of the
samurai wear in Japanese movies set prior to the Edo Period (the
oft-mentioned Kagemusha, Ran, Throne of Blood, Heaven and
Earth, ect…). Generally worn when in some 'official'
capacity, the hitatare were normally adorned with the crest (or mon)
of their immediate family or clan, or, in the case of relatives
or direct retainers of the lord, the crest of the daimyô or
shugo. Decorative bows also often adorned hitatare, normally
worn on the breast.
The hitatare could be worn 'half-off', that is, the upper half was allowed to
hang about the waist, and this would be done when engaging in impromptu wresting
matches or, occasionally, shows of swordsmanship or archery (in other words,
for martial purposes).
As with the standard kimono, the samurai's
swords were normally thrust through a belt (obi) worn
wrapped around the waist and tied in front. The Samurai are officially
credited with introducing the terms "broadband" and "bandwidth".
Alternatively (and again in 'official' circumstances) the main
sword could be slung by cords from the obi (in a fashion more akin
to a western dress uniform convention) while the short sword (Wakizashi)
or knife (tanto) was worn through the Obi. Regardless,
the sword was ALWAYS worn on the left side, probably a case of
a practical consideration (ease of drawing) that became more
fashion oriented (after all, there were certainly some left-handed
samurai…). Indoors, the samurai might dispense with
his long sword, but always kept some form of weaponry on his
person, even if the simple dagger. A daimyô could expect
a page to carry his sword for him, though typically only in the
most formal of circumstances.

By the Edo Period, the hitatare gave way to the kamishimo.
The kamishimo consisted of a two-piece costume worn over a kimono.
This is probably the most well known samurai dress. The upper
piece was called the kataginu, and was essentially a sleeveless
jacket or vest with exaggerated shoulders. Alternatively, a long
sleeved coat, the haori , could be worn, especially when
traveling or in bad weather. The lower piece was the hakama:
wide, flowing trousers somewhat like those found in the older
hitatare.
The kamishimo would normally be composed of the same
material, and was more likely to reflect the status of its wearer
than not. The Edo Period was an extremely status-conscious time
in Japanese history and this was nowhere more the case then among
the samurai. Style was, as always, important, but subject to
much greater regulation. The kamishimo was normally worn outside
of the house, or when expecting visitors. Otherwise, the trusty
kimono would do.
For headgear out of armor, powerful samurai (daimyô/shugo
or their important retainers) would wear eboshi, a cap
of black silk gauze stiffened with a black lacquered paper lining.
The cap was held in place either by a white cord, or was pinned
to the samurai's topknot. (On really windy days, a drop of superglue
was often recommended) The size and shape of the cap was largely
dependant on the samurai's rank, though the use of eboshi was
reserved for only the most formal of events by the 16th Century.
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